Charlotte Ambrose

Charlotte Ambrose — United Kingdom
Artist in Residence · February 2026

Charlotte Ambrose, an artist from the United Kingdom, joined Art Print Residence for an artist residency in February 2026.

During her stay, Charlotte took part in an Etching and Aquatint course led by Jordi Rosés, with the supervision and technical guidance of Ariadna Abadal. She shared this intensive printmaking experience with fellow artists Pernille Koch Larsen, Mahmood Abdulsaheb Ahmed Hasan and Saidhbh de Búrca.

Throughout the course, Charlotte explored the fundamental processes of traditional intaglio printmaking, working with etching and aquatint to develop line, tonal values, textures and different approaches to image-making on the plate. The course combined technical experimentation with individual guidance, allowing each artist to adapt the processes to their own visual language and artistic practice.

Alongside her work in traditional etching, Charlotte also explored photographic printmaking using photopolymer plates, with the advice and technical guidance of Ariadna Abadal. This process allowed her to translate photographic imagery into intaglio prints and to experiment with the relationship between photography and contemporary printmaking.

Her residency at Art Print Residence offered Charlotte the opportunity to combine traditional etching techniques with photopolymer processes, expanding her knowledge of printmaking while developing new possibilities for her artistic work.

It was a pleasure to welcome Charlotte to Art Print Residence and to accompany her throughout this period of experimentation, learning and creative development.

Charlotte Ambrose

Pernille Koch Larsen

Pernille Koch Larsen — Denmark
Artist in Residence · February 2026

Pernille Koch Larsen, an artist from Denmark, returned to Art Print Residence in February 2026 for her second artist residency with us.

During her stay, Pernille took part in an Etching and Aquatint course led by Jordi Rosés, developing her work on metal plates and exploring the expressive possibilities of traditional intaglio printmaking. Through different stages of etching, aquatint and printing, she was able to experiment with line, tone, texture and the rich range of values that these techniques can offer.

Alongside her work in traditional etching, Pernille also explored photographic imagery using photopolymer plates, with technical guidance and advice from Ariadna Abadal. This allowed her to combine photographic processes with printmaking and expand the visual possibilities of her project.

Her second residency at Art Print Residence provided an opportunity to continue developing her printmaking practice, combining traditional intaglio techniques with contemporary photopolymer processes in the professional environment of our studio.

We were delighted to welcome Pernille back to Art Print Residence and to accompany her once again in the development of her work.

Pernille Koch Larsen

Kaitlyn Antoniadis

Kaitlyn Antoniadis — United States
Artist in Residence · January 2026

Kaitlyn Antoniadis, an artist from the United States, joined Art Print Residence for an artist residency in January 2026.

During her stay, Kaitlyn took part in the Direct-to-Plate Photopolymer course, led by Ariadna Abadal.

Throughout the course, she explored the creative and technical possibilities of photopolymer printmaking, learning how to prepare images for direct transfer onto photopolymer plates, expose and process the plates, and prepare them for intaglio printing.

Working in the professional printmaking studio at Art Print Residence, Kaitlyn was able to experiment with different images, tonal values and printing approaches while developing a deeper understanding of the entire photopolymer process.

The residency provided her with dedicated time and technical support to combine photographic and digital imagery with traditional printmaking methods. Through proofing and experimentation, she was able to refine her plates and explore the distinctive qualities that photopolymer brings to contemporary intaglio printmaking.

Her time at Art Print Residence offered an opportunity to expand her printmaking practice, acquire new technical skills and develop her personal artistic work in a creative and professionally equipped studio environment.

Kaitlyn Antoniadis

Nadia Duthoo

Nadia Duthoo — France
Artist in Residence · January 2026

Nadia Duthoo, an artist from France, joined Art Print Residence for an artist residency in January 2026.

During her stay, Nadia focused on a large-format woodcut project, working on fir woodblocks. The residency gave her the opportunity to develop her work on a larger scale and to explore the expressive possibilities of relief printmaking.

Throughout the process, she worked on the different stages of creating a woodcut: preparing the wooden surface, transferring and developing the image, carving the blocks, experimenting with tools and textures, and preparing the matrices for printing.

Working on large-format fir woodblocks allowed Nadia to explore the relationship between the natural characteristics of the wood, the carved marks and the final printed image. The grain and texture of the material became an integral part of the creative process.

Her residency at Art Print Residence provided dedicated studio time and access to a professional printmaking environment, allowing her to concentrate on the development of her personal artistic project while experimenting with the technical and creative possibilities of contemporary woodcut.

Nadia Duthoo

Claire Hankey

Claire Hankey — United Kingdom

Artist in Residence · January 2026

Claire Hankey, an artist from the United Kingdom, joined Art Print Residence for an artist residency in January 2026, dedicating her stay to exploring different approaches to monoprinting and photographic printmaking.

During her residency, Claire took part in the Monoprint and Water-Based Monoprint course, led by Jordi Rosés. Through this process, she experimented with the spontaneous and painterly possibilities of monoprinting, working with colour, layering, transparency and different methods of transferring images onto paper.

An important part of her project was the creation of a series of large-format monoprints, allowing her to explore composition, gesture and the relationship between colour and surface on a larger scale.

Claire also completed a Photopolymer Photo-Etching course, led by Ariadna Abadal, where she learned how photographic imagery can be transferred onto photopolymer plates and developed through intaglio printing techniques.

Her residency at Art Print Residence brought together the immediacy and experimental character of monoprinting with the precision and photographic possibilities of photopolymer printmaking, giving her the opportunity to explore different processes and expand her artistic practice in the professional environment of the studio.

Claire Hankey

Agnieszka C. Mackowiak

Agnieszka C. Mackowiak — Poland

Artist in Residence · January 2026

Agnieszka C. Mackowiak, an artist from Poland, joined Art Print Residence for an artist residency in January 2026.

During her stay, she took part in a Mokuhanga with Natural Pigments course led by Ariadna Abadal. The course focused on traditional Japanese water-based woodblock printing techniques, with particular attention to the preparation and use of natural pigments, colour application, and printing processes.

As part of her residency, Agnieszka also attended a Woodcut Tool Sharpening course led by Jordi Rosés. This practical training focused on the correct sharpening and maintenance of woodcut carving tools, an essential skill for achieving precision, control, and clean results when carving woodblocks.

Her residency combined technical learning with hands-on experimentation, giving her the opportunity to deepen her knowledge of Mokuhanga and woodcut techniques while developing her own artistic practice in the professional and creative environment of Art Print Residence.

Agnieszka C. Mackowiak

Nina Vigilante

Welcome to Art Print Residence!

We are delighted to welcome Nina Vigilante from the United States to Art Print Residence for her residency this July 2026.

Nina joins us from Denison University (Ohio), where she is developing her artistic practice. During her stay, she will work as a studio assistant, gaining hands-on experience in the daily life of a professional printmaking workshop while learning the traditional techniques of copper etching (intaglio) under the guidance of Ariadna Abadal.

This residency offers a unique opportunity to combine practical studio experience with technical training, artistic research, and creative exchange within our international printmaking community.

We are excited to accompany Nina on this new chapter of her printmaking journey and look forward to sharing her progress over the coming weeks.

Welcome to the studio, Nina!

Þuríður Ósk Smáradóttir

In April 2026, Icelandic artist Þuríður Ósk Smáradóttir completed an artist residency at Art Print Residence, where she focused on expanding her printmaking practice through an intensive exploration of hard-ground etching and the expressive possibilities of à la poupée printing.

Throughout her residency, Þuríður investigated the relationship between line, texture, and colour, developing a series of copper plate etchings while experimenting with the subtle nuances of selective inking. Working with the à la poupéetechnique allowed her to apply multiple colours to a single plate, creating rich tonal transitions and unique, hand-crafted impressions in which every print became an individual work.

Under the guidance of Jordi Rosés, the residency combined technical instruction with artistic research, encouraging experimentation and a deeper understanding of traditional intaglio processes. Through daily work in the studio, Þuríður refined her etching techniques, explored different approaches to plate preparation and printing, and expanded the visual language of her practice.

Her time at Art Print Residence provided an inspiring environment for creative exchange, technical development, and focused studio work, culminating in a body of prints that reflects both precision and experimentation. The residency offered an opportunity to strengthen her knowledge of traditional printmaking while discovering new expressive possibilities within contemporary intaglio practice.

Þuríður Ósk Smáradóttir