Montse Badia Guest Artist April 5, 2014 Drypoint on acrilic plate with roll-up and chine collé Drypoint on acrilic plate with roll-up and chine collé Drypoint on acrilic plate with roll-up and chine collé Drypoint on acrilic plate with roll-up and chine collé
Daniel Llin shown March 9, 2014 Daniel’s talking about intaglio history Daniel’s shown Aquatint prints Col.legi d’aparelladors i arquitectes de Mataró Roma aquatint Roma aquatint COL·LEGI APARELLADORS I ARQUITECTES de Mataró – Catalonia – EU
Work in process _ by the artist Daniel Llin December 15, 2013 Drawing on soft ground Drawing on soft ground Drawing on soft ground Drawing on soft ground Drawing on soft ground Stopping out soft ground Stopping out aquatint Lifting a lift ground Stopping out aquatint Stopping out aquatint Burnishing the plate first print proof Printing the plate Printing Signing edition
Open Workshop Groups on Thursday, Friday & Saturday November 24, 2013 Roll-up printing Roll-up printing Roll-up printing Print on japan paper Larger view Drawing on hard ground Intaglio printing Fist print proof Smoked tool Smoking the plate Rolling handmade soft ground Drawing a Soft ground Drawing a Soft ground Drawing a Soft ground Working aquatint
Work in Process – Laia Arnau November 18, 2013 Degreasing a plate working space Engraver machine Engraver the plate Engraver the plate Making a Chine collé Making a Chine collé kozo papers Cutting the japon papers Cutting the japon papers Cutting the japon papers Making a etching Plate with hard ground Inking the plate Hand wiping Drain the paper Intaglio printing Intaglio printing Intaglio printing Inking the plate with the doll method Inking the plate with the doll method Print Aquatint with China collé Aquatint with China collé