INTAGLIO ETCHING TECHNIQUES

TRADITIONAL INTAGLIO PRINTMAKING on copper plates

Intaglio describes any printmaking technique in which the image is produced by incising into the printing plate. Intaglio Printmaking refers to a printing method in which the printing elements are all below the plate surface, having been cut, scratched, engraved, or etched into the plate.

We offer Introductory, Intermediate and Advanced Courses in different forms of Intaglio Printmaking.

INDIRECT TECHNIQUES ON COPPER PLATES

DIRECT TECHNIQUES ON COPPER (non toxic methods)

PRINTING PROCESSES

INDIRECT TECHNIQUES ON COPPER PLATES

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Hard Ground Etching (Beginners)

Line Drawing

First steps on copper plates

This course is ideal for complete beginners willing to learn step by step the intaglio printmaking process.

3 Days


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Aquatint (Basic)

Tonal effects on gray scale 

First steps on copper plates

Aquatint is used for creating tones and it’s composed of fine particles of rosin or asphalt.

3 Days


Etching & Aquatint

First steps on copper plates

Learn the basics about line drawing & painterly intaglio printmaking. No previous knowledge is  required.

3 Days

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Soft Ground Etching

Soft Ground + Ziegler method

You can develop a composition through lines, textures and tones. The artist draws on a piece of paper and when the paper is lifted, it removes the wax where the pencil pressed. We will show you how to make imprints of other things besides a pencil, like leaves or other thin objects with texture. 

You will also learn how to print multiple color plates with a perfect registration.

2 Days


Transferring images

Transferring copies

You will learn how to transfer copies (line drawing and high contrast black and white images) onto copper plates.

3 Days

Aquatint Variations

Previous knowledge of intaglio etching is required

Sugar lift Aquatint

Painterly effects, expressive and dynamic strokes

You can draw straight to the plate by using brushes and other tools, playing with the thickness and fluidity of the line. This method give rise to spontaneous and varied results.

3 Days

Toner aquatint

Get into a wide range of tones, textures and shadows

The toner powder creates a microdot pattern like an irregular grid. This technique consists of manual creation of watercolours with brush, to get a wide range of tones, textures and shadows.

3 Days

White ground aquatint

This course brings us to one of the slopes of the aquatint technique which involves drawing the image on the plate with soap to get variations of tonal values, at once, from the clearest to darkest, playing with wash effects.

5 Days

Complementary courses

Soft Ground

(complementary course to any Intaglio course)

Texture addition

Use the soft ground technique as a complement to make your plates richer.

1 Day

Spit Bite Aquatint

(complementary course to any Aquatint course)

A delicate wash effect

We can show you how to bite the plate unevenly, by creating a soft tone on the background.

1 Day

DIRECT TECHNIQUES ON COPPER (non toxic methods)

Drypoint

Drawing straight on a plate, without acid 

First steps on copper plates

Drypoint is created by using a tip to scratch the surface of the metal. Drypoint is done without acid, drawing directly on a copper plate. It requires a certain skill for inking the plate properly.

2 Days

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Mezzotint

From solid black to midtones and highlights

Mezzotint is a direct technique where a metal plate is scratched so that it prints solid black. Midtones and highlights are then scraped and burnished back into the plate to create the image.

2 Days


PRINTING PROCESSES

Intaglio printing process (Basic)

This workshop is aimed to learn the professional printing process step by step. Learn the tips from our master printers.

1 Day

Intaglio color printing. Multiple plates registration system (Advanced)

Learn advanced intaglio printing processes, including“Chine collé”, Inking “a la poupée”, Multiplates, Roll-up. Let’s print multiple plates with a perfect registration system.

3 Days

Chine collé

Chine collé can be used in contemporary printmaking
adhering a thin paper under the ink during the printing process. As a result we obtain a richer image in textures and chromatics.

3 Days